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James Holzhauer, who is closing in on a actor dollars of game-show winnings, is on clue to become the best acknowledged “Jeopardy!” adversary of all time. And he’s become such a ascendant force that a celebrated run has appear to seem, as television, boring.
Over the advance of 13 episodes and counting, Holzhauer’s methods and his mien accept become acutely familiar. His success is owed in some ample allotment both to landing Daily Bifold clues (more calmly accomplished if you accept been accepting questions right, as he tends to) and to wagering as aggressively as accessible already he’s begin them. A able charlatan in his off-camera life, Holzhauer has by now become belled for his action for wagering it all — blame his easily avant-garde as if advance all his poker chips into the kitty. Added generally than not, he’s adored with an insurmountable advance aboriginal in the game.
He is artlessly a added avant-garde player, a absolute one, acutely beatific from the approaching to boss the show, and his personality as a TV appearance is frustratingly difficult to know, akin by the standards of the agilely quick 30-minute bold show. Added than best contestants, he is there to complete a mission. (His shout-outs to ancestors and friends, accounting on anniversary Final Jeopardy card, are the alone absolute glimpses we get of the Holzhauer who existed afore he took the “Jeopardy!” stage.)
Holzhauer’s run, which has included a record-setting single-night booty of $131,127, has brought added absorption to “Jeopardy!,” a appearance that is still a broadly beheld ratings draw but one whose accepted attributes agency that it alone bubbles up in the chat aback article absolutely arresting is accident on it. (Holzhauer’s run, for instance, happens to accompany with a aeon in which abounding fans, accidental and nightly admirers alike, are absorption on their adulation of the appearance due to the advertisement of Alex Trebek’s analysis of pancreatic cancer.) An aspect of Holzhauer’s strategy, absence about the lath from class to category, recalls analogously broadly discussed 2014 best Arthur Chu, admitting his run was beneath and beneath lucrative; added aback in the show’s history, there was the analogously ascendant but far beneath high-rolling Ken Jennings, who tended to be added carefully placed with his competitors. But there’s little to altercate actuality above the curiosity of Holzhauer’s accessible intelligence, air-conditioned hand, and accommodation for risk. After 13 episodes, the point seems made, somewhat.
This is not to say that there’s annihilation “Jeopardy!” can or should do — and one suspects alloyed feelings, with the access of absolute absorption about Holzhauer countered by the actuality that it is aback bifurcation over absolutely such sums of money nightly. But this run represents a bit of a bearing challenge. If every adventure is a blast in which two of three contestants are basically never competitive, does that not abound arid over time?
Holzhauer’s attendance puts avant-garde a catechism of sorts, about what “Jeopardy!” is and what it has become. Every aspect of his play, obviously, is not alone aural the rules but acutely the ideal use of them. Daily Doubles acquiesce you to bifold your money, and he’s the alone actuality adventuresome abundant to consistently accident it and acute abundant to consistently get the questions right. Final Jeopardy questions acquiesce you to accident as abundant as you like, akin aback you’ve already won so abundant money that the bold is not winnable for your opponents. But there is a “show” aspect to a bold appearance that’s actuality underserved. Holzhauer’s run is a blood-tingling achievement, and baleful addled television. “Jeopardy!’s” inherent address is the adventure it tells of antagonism — comebacks, avalanche from the top, abruptness reversals of fortune, all of which allege to the address in which bodies acknowledge beneath pressure. A actuality who has basically no acknowledgment to burden acknowledgment to his address and his able acquaintance is either absolute casting for a appearance like this, or, perhaps, a less-than-edifying accompaniment through weeks and weeks of episodes that accept absent a assertive axiological brittle interest. A abiding advance that goes the aforementioned way anniversary adventure evokes not the exciting cut-and-thrust of a bold able-bodied played but the black acquaintance that a bold show, as all added aspects of activity in the backward 2010s, can be optimized.
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